A. M. Homes, chair of the five-member selection committee, a professor at Princeton, and the 2013 Women’s Prize for Fiction winner, told Vogue that the program is not just aimed at young writers, either. “We’re looking for writers who have things on their mind. It might be someone from the previous generation, too. There’s women working on books who could use the space and time because they maybe didn’t earlier in their lives—which is the nature of women’s lives.”
“Not everyone has the same opportunities,” Homes added. “Here, all you need is to be able to submit something. You don’t have to know somebody or you don’t have to have graduated from a writing program.”
Joining Homes on the committee is Nicole Krauss, who has been twice shortlisted for the Women’s Prize for Fiction. In a twist of fate, Krauss name-checks Homes as the first “real world” writer to mentor her a few decades ago when she was working on her own first novel. “I hope, and I’m sure I will be, surprised by the submissions,” she said. “Seeing something on a page that you really didn’t expect: the sound of a voice, a way of using language, or a way of thinking that is completely unlike my own. Some people have an internal engine that drives the writing, and I always love that. It doesn’t matter what the story is, where it’s coming from, or where it’s going to take me. I’m along for the ride.”
V.V. Ganeshananthan, who won the 2024 Women’s Prize for Fiction for her second novel, Brotherless Night, is in agreement. “I’m excited to see what they bring us. I don’t want to put any bounds or limits on what could be of interest. A strong voice can make any topic interesting—and there’s certainly no lack of things to be concerned about these days.”
